Postcard Fabric Art -Winnipeg

Last year I was challenged to make a large 3-D postcard of my Hometown. It was so much fun that I decided to make a series, one for each city/place I have ever called HOME.

That first one was an area that I grew up in – Love, Saskatchewan.

A small rural farming community with a great sense of humour

Winnipeg, Manitoba was next. I have lived here for 40 years.

I designed the card as soon as I finished Love. I started, ran into problems, and the project stalled. Then I spent considerable time contemplating some technical difficulties. The background layer had to feature a big moody sky, a large canopy of trees, the famous corner of Portage & Main, and The Forks – where the Red River and the Assiniboine River meet

My first attempt was entertaining, but not very successful. It involved the pounding of plant materials in an attempt to dye different designs into the fabric. That was last fall – after a very dry summer. Maybe the plants had nothing to give.  The next attempt used a scrap of Indigo dyed fabric for the sky and Inktense for the rest. I can’t seem to get the hang of using Inktense, but decided to use the piece, knowing that the majority would be covered. Here is a picture of the two I had to choose from.

On to Layer #2: I decided to include the St. Boniface Cathedral-Basilica to pay tribute to our French heritage. I made a pattern, transferred it to Heat & Bond, added seam allowance (SA), adhered it to the Flexi-Firm (wrapping the SA to the back) and then added details with pen, pencil and pencil crayons. Layer #3: The Provencher bridge goes over the Red River, linking downtown Winnipeg with the French community of St Boniface. There are many interesting Inuit carvings along the bridge. I made a ribbon using fabric and Heat & Bond (in photo above), drawing the Eagle, and the Fleur de Lis, placing the ribbon under the Esplanade Riel Foot Bridge and over the St Boniface Cathedral-Basilica.

Layer #4: Esplanade Riel Foot Bridge is the People’s Path over the Red River. It is only 5 meters wide, 250 meters long, but rises 57 meters in the air. I completed it the same way as the Cathedral, adding the cables (crochet cotton) while I was putting the card all together. For this one, I glued down 1 layer of spacers (bits and pieces of FlexiFirm) so that it would sit higher than the Cathedral.

Layer #5: The Canadian Museum for Human Rights (CMHR) is the only national museum outside of Ottawa. It’s purpose is to promote respect for others. For this piece of unique architecture, I used pieces of silk fusion left over from my ICE project. I put two levels of spacers under this piece so that it could be placed higher than the Esplanade Foot Bridge.

Layer #6: Winnipeg has a large canopy of trees. Layer #6 was intended to reflect that based on this picture of a tree lined pathway. I wanted to be able to place it on top of CHRM but under the Legislature in order to create some depth.

Winnipeg trees

To create this, I decided to make fabric out of thread. I have never had much success with this process so I was pleasantly surprised at how well it turned out. It is made simply placing a ton of loose threads in between two layers of water soluble sheets. You then do a lot of free motion stitching to keep the threads together. The sheets dissolve when washed and you are left with a fairly soft flexible web.

Layer #7: Winnipeg’s PFA would not be complete without including Winnipeg’s grandest and most mysterious neoclassical building – the Manitoba Legislative Building. The Golden Boy is at the top, with a sheaf of wheat in its left arm representing the fruits of labour while the torch in its right hand represents a call to youth to join his eternal pursuit of a more prosperous future (Wikipedia). I thought this would be the most difficult of all the elements to ‘build’ but in the end it was fairly simple. After tracing the outline onto FlexiFirm and cutting him out, I used a gold leaf marker to make him the appropriate colour.

The PFA had to be completely finished before I could glue the items to the front so it was time to consider the back. LOVE had a unique Postmark. Winnipeg also needed something that was unique. The Winnipeg Jets Logo, found on a piece of fabric, was perfect.

After that it was simply stitching around the edge, adding info, and gluing down the elements on the front.

It feels good to be done. Which HOMETOWN will be next?

Tempus Fugit & the Perfect Form Collage

It seems like summer did a Vanishing Act. Most of my quilting projects did not.  Neither did the cleaning (ugh!) or yardwork I was going to accomplish over the summer.

Now, here it is – another new and exciting season! Welcome back to those who have been with me for awhile, and a special welcome to the dozens of new people that subscribed to my Blog over the summer. In spite of my helter-skelter approach to quilting, I hope that you will stick with me and be inspired to try something new in this wonderful world of quilting.

My update of the last two months will take several weeks. On top of that, I am having some technical difficulties. It seems some things have changed since I last used this site. Don’t you just hate being your own IT support?…

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My biggest exciting news is that I got published!  So what that it was small. So what that they got it upside down. Ha! Still … a picture of a 4×6″ PFA (Postcard Fabric Art) in the August/September issue of Quilting Arts is very exciting.

The Reader Challenge was in honour of the 100th issue, the theme being Tempus Fugit – Latin for Time Flies. I submitted the PFA so long ago I had forgotten about it.

Here is my card.

Tempus Fugit

I did not think it was particularly good, but I had given it a lot of thought – which they did not ask for. Can I share it with you?

It started with my stash of botanically dyed fabrics from several years ago. You may recall the batches of berries, branches, herbs and spices that I picked, cooked and labeled. The colours are not vibrant but I used those fabrics because of the contrasting textures I had to work with. I used wool (tree), linen (background), cotton (squares) and cheesecloth (foreground) dyed in Juniper berries, coffee, wild pincherries, echinacea and mustard powder.

Starting with the background, I stitched lines to illustrated wind, movement, the passing of time. The roots of the tree illustrated historical events that affect us today. Most of the roots are covered since the impact of the past on the present is not always obvious. The squares are dates on a calendar, again representing the passage of time. Some are gone (on the ground), some we can look forward to (in the sky), and some are now. There is only one square with an X. That is today.

Enough philosophy!

As for my on-going projects, Amazon Star is still with the Long Armer so there is nothing new to report there.

The Circle Game, on the other hand, is at the hand quilting stage. After almost two years of hand piecing, applique, and big stitch embroidery, this is very exciting! It’s also a first. The much revered ‘rocking stitch’ seems to elude me so the ‘stab method’ will have to do. I am also really enjoying the floor frame I found on Kijiji.

In the middle of large, long-term projects, I get the urge to FINISH something – you know, that check mark on the ‘done’ list. The Perfect Form collage by Laura Heine has been calling my name for sometime. Maybe it was time to start?

It wasn’t totally stress free. In fact, I really struggled with the fabrics that were provided in the kit.

I just had to put my own spin on it. It called for hundreds of flowers – not what I have much of in my stash. The Aboriginal Australian fabrics would have to do. As a result my dress form has many strange animals on it. Lizards. Turtles. Star Fish. Seahorse. Even a tiger.I used a black cotton base, leaving some areas uncovered. And to top it off – some glitz. If you are going to play, you have to go all the way.

Gloria

 

Gloria will find a home in my sewing studio.

 

Designing for Ruler Guided Quilting

This will be the last post before taking my annual summer break. I wanted to do a few posts on Ruler-Guided quilting, but life gets in the way of writing instructions, making samples, taking pictures and sitting in front of the computer.

So, this post is about designing with rulers. There are some tips to get you started with your own designs, and pictures of designs recent students came up with. Over the summer, I want to play with some of the newer rulers I purchased and then in September I plan to go past my Ruler Quilting 101 series with some more complex designs – combining rulers, or combining rulers with FMQ.

Design is where it all starts. It is easy to look at finished designs and decide whether you like it or not, but coming up with a design is another story. Some of us get the equivalent of Writer’s Block. We draw a blank.

You can repeat what someone else does, but your quilts are unique. That’s wonderful! You need to be able to come up with your own designs and then be confident that you will like it once it is stitched out.

Here is my simple approach to designing with rulers.

1. Start collecting simple sketches of designs you like. The designs are everywhere, and your sketches don’t have to be fancy. Just jot them down so that you have easy reference material the next time you want to do some quilting.
2. Sort your sketches by rulers you already own. You will start seeing similarities. If you don’t have a particular ruler but have a lot of designs that require that ruler it will help you decide whether the purchase is worthwhile.
3. Complete the following exercise:
   1. Draw a 12” square on a large piece of paper (in pen). Add 3” to all four sides. Treat this as one large quilt block, four borders and four corners.
   2. Using just one ruler, draw a different design in each of the 9 spaces. Continue to draw and erase until you are happy with your designs.
      • Note how the ruler feels in your hands. Is it big and clumsy? Is it too small to hold properly? The more you work with it the more natural it will become – but it also helps you decide what size you like to work with.
      • Take note of the ‘seam lines’ and how the markings on the ruler help you center or position your design. This will help you once you start stitching with the ruler.
      • Note how the ruler interacts with the different space sizes. What size of space does it work best for? If the ruler is too big for the space, can you use just a small section of the ruler to make it work? If your ruler is too small for the space, what can you do to ‘stretch’ it?
   3. Once you are done drawing designs, pretend to stitch them out by doing a finger run of the stitching lines. Is there a critical point (such as the centre) that you would need to mark? Try to figure out the best way to stitch out the design with the fewest stops, starts and over-stitching.
4. Repeat the previous exercise using another ruler. Restricting it to just one ruler will force you to explore the many possibilities that exist for that particular ruler.
5. Build your Toolkit. Consciously continue to add designs to your repertoire. Keep your paper copies (even the ones you don’t like) for reference. It will make choosing one easier the next time you need one for a quilt.

I taught this class recently, and the participants graciously agreed to let me post some of their pictures. This was the straight ruler exercise

After one of the finger stitching runs, the design was revised so that it would be easier to stitch-out. That is one of the benefits of doing this exercise before an actual project.

It was fun to see the different designs that each person comes up with using the same ruler. Here are pictures using a ruler that was in their kit, but no one really liked.

Just look at the variations for borders, and how one person ‘stretched’ the ruler to make a large center design. I am pretty sure all of them will now use that ruler. 

If you don’t want to miss the ruler series coming in the fall, make sure you have subscribed to my blog. You will then receive an email whenever I post (usually once per week). You can unsubscribe at any time.

I hope you will give this a try. In any case, have a great summer with family, friends and wherever your travels might take you. Visit Quilt Shops, continue quilting and have pleasant quilting dreams!

 

Cats & Kids

Twelve days with the grandchildren and I am just catching up. It was (almost) all fun and games.

Both weekends were spent at the cottage and at the last minute I decided to throw together a quickie quilt. I have one child’s quilt out there (made when the oldest was little) but I have 2 grandsons. It was high time to make another.

If pictures on FB are any indication, most quilters have a more than adequate stash. I have a half decent one at home but obviously not at the lake, although it sometimes becomes difficult to remember what you left out there in the fall. It was only our third time out. The most important things go first – food, water, and other necessities like my sewing machine. I just hadn’t planned the fabric.

Scrounging in my various hiding places did not reveal much. A fleece throw that I could use for backing. A few panels, most of which were too juvenile. Some small scraps and strips left over from other projects. It was quite the mixture. In the end, I had enough for a small quilt, but could not make it even 2″ wider or longer. It was pieced, spray basted and tacked down before the boys came and I thought I could finish it while the boys were in school/daycare.

That didn’t happen. My grandson insisted on using it even though it wasn’t finished.

When he wasn’t using it, our cat Huxley laid claim.

Speaking of Huxley, he has been setting fashion trends in the animal world for the last year by wearing a variety of accessories around his neck (wounds that wouldn’t heal).

Huxley, AKA Socksley

So, when I made a few stuffed cats as gifts, they also had to have bandanas.

Studio Assistant

Mascot

And when the boys came, their stuffies needed bandannas, AND sleeping bags.

Stuffies are camping

The quickie, scrapy cottage quilt is not award winning by any standards, but considering what I had to work with, I am pretty pleased with it.

Monster quilt, front

I have found that a variety of materials can be used in the same quilt as long as the quilting is consistent and fairly close together. In this case I did just a little FMQ and then used my favorite ruler for some ruler-guided quilting. The back (in black & white) might show the quilting better.

Monster quilt, back

I promised my Grandson the quilt would be done by his next visit. It is. But July 1st should be too hot for fleece and flannel. Or, at least I hope it will be.

Ice: Friend & Foe

Ice. Apprehension. The two are always linked. Every spring starts the same. First, long cracks, then clear and cold water along the shorelines, often reflecting clouds above. Diamond crystals sparkle amid grime and grit left over from winter snow. So delicate, so beautiful. But strong. Dangerous. And unpredictable. Joined together, crystals form blocks strong enough to move boulders and destroy man-made structures. Some years, ice is a friend; others, a foe. 

That is my Artist Statement for ICE – my first ever submission to the Textile Fibre Artist Network of Manitoba (TFAM).

Techniques used: Free motion quilting, silk fusion, felting, hand embroidery, couching, embellishments.

What follows is a description of the process.

Layer 1 – The background was fairly simple. I couched yarn for the distant shoreline and stitched movement for the water. This was done on a single piece of gradated fabric. Reflection of the clouds was important to me, so those were hand stitched knowing that most would be covered in the end.

Layer 2 – I have been wanting to try silk fusion for awhile, and this was the perfect opportunity. The book and supplies were ordered from Treenway Silks . Following instructions in the book, here is the set-up on my kitchen table. Similar to wool felting, the silk fibers are put down in layers at right angles before being ‘fused’ together with an adhesive. The result is a piece of fabric that is strong but can be cut in any shape you wish. In the end, I had 5 sheets of ‘fabric’.

 

It was a bit of a puzzle cutting and placing the silk, but I like puzzles (and called for help from my creative neighbour friend on more than one occasion!). Basically, for this layer I wanted to illustrate long cracks, large chunks of ice, and the start of a spring melt.

 

The pieces were ironed down with Misty Fuse, but needed additional stitching. That made the sky unbalanced, so some additional stitching went into the sky. Now it was a windy day!

Layer 3 – Ice always piles up along the shore – all shapes and sizes. Small, delicate crystals. Large, solid sheets. My version looked a little ridiculous, and the project almost went off the rails at this point. It was flat, scattered, lacked interest.

Layer 4 – This layer was always in the plan, although not quite in this format. The crystals were in the plan, as were the 3-D blocks of ice piled up against the tree.

The spikes were in the plan. They date back to 1886, and in this work of art, represent the power of ice to destroy things are are extremely strong, and things that have existed for a long period of time. As a side note, these spikes were removed from pews in a local heritage church when making their space more wheelchair-friendly. I was privileged to receive these three spikes, and pleased to repurpose them in this piece.

The tree was not in the plan, but my picture lacked depth. To create it, I added some hand embroidered trees to the distant shoreline, and then added the large tree to the foreground. Actually, felting a tree is not all that easy. I gave it three tries, and ended up using this one – first wet felted, and then needle felted. It is spring, and no leaves on the tree yet.

For some real life pictures, I will share these…

Early Spring

Melting Ice

Strength to move boulders

Ice as Foe

My picture was done when I could no longer think of anything to add. It may not be the finest piece of art, but its mine, and there will be no other piece like it.

 

 

Quilting Overload

Quilters are like golfers. A little rain can’t stop us. It was Friday, and there was another Quilt Show to attend – The Barnswallow Quilt Show in the rural community of Morden.

I wasn’t the only one up bright and early to drive the hour+ in order to get there close to opening time. Time, and a turn west made it feel like I was in the banana belt. The sun came out and temperatures doubled.

When going to Morden a person just has to stop at The Quilter’s Den. For our convenience, The Quilter’s Den opened early so we could hit it before going on to the quilt show.

I will talk about my purchase there a little later.

The Quilt Show itself is always very well done. Because this is such a long post, I will give you only two – a large and a small quilt. Visit their website if you want to see more.

made and quilted by Evelyn Hoepner

made and quilted by Barb Westfall inspired by a birthday card

A drive to Morden wouldn’t be complete without stopping at another quilt store along the way- Road 17 North.

I have a weakness for Fat Quarters and ended up with a bundle of blue and red. Some day these will be turned into a log cabin quilt.  I love the history of the Log Cabin quilt, with the red center square indicating the warm welcome of a fire inside.

Saturday was International Guild Day. For 30 years our guild has teemed up with our Sister Guild, the North Star Quilters from Grand Forks, North Dakota for a morning of shopping (local vendors), Show and Tell, and listening to a speaker. This year it was our turn to host and one of the men in our guild (we have two) shared the stories behind about 40 of his quilts. Great job, Fred!

I bought a few more fat quarters, Tula Pink this time. They have already been cut and made into a stuffie (Can’t show you until it is gifted) with a pattern I purchased in Morden.

  

My quilt, Amazon Star, made its way south of the border with our guests from Grand Forks, where it will be quilted. Another reason to go south of the border later this year. I spent last week, including a day at Crescentwood’s mini-retreat piecing the back for Amazon Star to make it big enough for the quilt. For those at the retreat (and anyone else interested) I am taking the liberty of adding this recipe for Chocolate Squares to Ken’s Kitchen along with his recipe for blueberry cobbler. 

The Modern Quilt Guild of Winnipeg brought Libs Elliot in last week. I did not attend any of the workshops, but did attend her Trunk Show.

Libs has designed fabric for Andover Fabrics and I have seen her line called Tattooed North in stores for awhile. Without a purpose it was fairly easy to resist, but then I heard more about it. Libs has a cottage north of Toronto, which was the source of inspiration for this line – rocks, ripples, stars, pine needles… spiders. I could relate to it all, especially the story of her children being afraid of spiders in the outhouse (been there, done that!). Knowing the fabric line was sold out, I had to buy a selection when I saw it in Morden.

A local quilt shop also brought in Sue Patten this week. I attended one workshop, and her Trunk Show. She is very well known for her thread work – just a couple pics:

She also gave us permission to video tape and share an easy method of securing your bobbin thread and bringing them to the top. This avoids having a mess on the back of your quilt, and you don’t have any threads to bury. Unfortunately, I was unable to transfer the video to the blog, but she said it was on U Tube. I encourage you to look for it.

Those are the highlights of my last week. Is there such a thing as quilting overload? If there is, I just went through it. Everything always seem to happen all at once.

The extra hours of daylight, birds building their nest, and children starting their spring league activities remind me warmer days will soon be here and with it, lots of extra work. I should have a ‘Finished!” to tell you about next week but otherwise, my quilting activities will just have to slow down now that spring has come.

Happy quilting…

 

Assiniboine Circle Quilt Show

Have you ever found that your quilting inspiration has vanished? That question was asked by someone on one of my FB groups last week.

This is a non-quilt show year for my guild – the Manitoba Prairie Quilters, but there are a number of smaller guilds in the area holding their spring Quilt Shows. I had the pleasure of visiting Assiniboine Circle Quilt Show last weekend and there was certainly no lack of inspiration there.

We were greeted at the door with this cheerful little quilt and display.

This quilt was made from a selection of very colourful hankies.

Made and quilted by Diane Gantzel

This is one of the nicer wedding quilts that I have seen. Such a simple and effective way to capture the well wishes of wedding guests.

made by Jackie Janzen, quilted by Pat Roach

Christmas is never out of season. Just look at all those 3-D legs!

made and quilted by Marj Moore

This quilt was started (and obviously finished!) just 13 days before the Quilt Show.

made and quilted by Corina Coombe

I have to give you a close-up of this embroidery project.

made and quilted by Diane Gantzel

This rag-quilt would provide continuous inspiration with personally selected quotes from favorite books and authors.

made and quilted by Mary Baranski

Some beautiful quilting is being done on domestic sewing machines these days.

made and quilted by Kathy Stephen

This quilt won Viewer’s Choice (sorry for the quality of the photo).

made by Brenda Barbour, quilted by Lorna Lehn

I love the modern look of this quilt, quilted by my favorite Long-Armer.

made by Josie Avery, quilted by Donna Reznik

Here is another quilt that highlights the quilting – done on a linen tablecloth purchased at a thrift store for $10.

made and quilted by Arlie Warrener

The inspiration for this small wall-hanging was a napkin. How cute is that!

made and quilted by Jocelyn Phillips

That was just a sampling. There were so many more lovely quilts. The next time you need inspiration, look for a Quilt Show to attend.

 

 

Wallets and more wallets

Last weekend I taught a wallet class.

The participants all seemed to be happy that they were actually taking a finished product home. The black and silver cork was a favorite with students, and its easy to see why. It is so striking. The hardware on one is silver and on the other it is gun metal.

Each wallet was so different, especially on the inside.

This would be the one to take to a party, with glittery vinyl on the outside, bottles of wine on the inside, and copper hardware.

 

The natural cork with rainbow confetti was also a favorite and the options when you use fabric is endless. Just look at the squirrels on this one. Unfortunately, I missed getting an interior shot of these.

This is the pattern for the Diva Frame Wallet and was designed by Jessica VanDenburgh. The pattern and hardware can be ordered from Sew Many Creations, or may be available at your local quilt shop. Some alterations may be required if using cork.

It will be a short post this time around. I am now preparing for a class on Designing for Ruler Guided Quilting that I am teaching next weekend. Needless to say, what I do in the quilting world ends up here so if Ruler Guided Quilting interests you, then keep a watch for related posts in the near future.

Now that its Easter, you may still be looking for a last minute recipe that isn’t ham or turkey. You are in luck. Ken’s Kitchen sent a couple chicken recipes for you to choose from. georgian chicken under brick or Slashed Chicken.

Have a great weekend. Hope it is a special one for you.

 

Amazon Star, A Sneak Peek

Drum roll, please!….

Somewhat premature since it still needs to be quilted, but you persevered with me through the doubts and decisions so you deserve a sneak peak.  The original pattern vs my reiteration.

You saw each bag as I made them. They were joined to make the following sections:

Center

 Sides 

 Corners

I love the muted spikes but those orange stripes I was fretting about a couple weeks ago still bother me. They should blend with their neighboring blue fabrics into points of the star, instead of being stripes. I have considered adding just a little Inktense* to make them blend. Here is a sample of what it might turn into.

Strips without Inktense

Do you think it is worth the risk? Feel free to vote yea or nay.

My independent review of Judy Neimeyer’s Amazon Star pattern:

I loved, loved, loved how organized everything in this pattern was. From buying and cutting the fabric, organizing the paper pieces, including the color chart, and sewing the sections, they could not have made things any easier. I was always working with small manageable sections until the very end when I was joining them together.

There was enough complexity in the pattern to challenge me and enough variety to keep it interesting. No sewing 500 HSTs or sewing a million strips! I usually only had to make 8 of any one item – just enough duplication to gain speed and accuracy. If there was a particular section I didn’t like, I knew I only had to make 8. I was never bored. The quilt top was finished with a speed that surprised me.

Paper-piecing = piece of cake. Almost. I was thrilled with the results of paper-piecing until I got to the Y seams at the end (only 8 – ha!). There they failed me. I got much better results once the paper was removed. (Yes, I did those seams more than once.)

It is hard for me to say anything negative about this pattern except for the cost (20 meters of fabric for the front; 10 for the back & binding); it is probably the best pattern I have ever made. 80% of it was very easy.

If you have ever wanted to make a Judy Neimeyer quilt, don’t be intimidated. Go for it! The results are worth it.

*Inktense are watersoluble ink blocks or pencils that become permanent when dry.

Amazon Star, Bags #5-10

Bag #5: This is more like it. Dark and calm.

Bag #6: This is the last of the orange and red. From here on in its all blue.

Bag #7: Its hard to believe I’m already starting the border. Not loving it so far.

Bag #8: More borders. The original pattern had contrasting fabric for the spikes but I wanted to tone it down. In this case the star will be the focal point; the spikes will be far more subtle.

Bag #9: I was glad there were only 8 of these to make. It was a little bit of a monster for paper piecing, but I’m starting to love these spikes. Isn’t it funny how you like some fabrics grow on you work and others don’t? As I was stitching, the song ‘Moody Manitoba Morning’ came to mind.

Bag #10: No real work with Bag #10. These are simply background pieces that will be used in the final assembly.

That’s it! This week the task will be to sew the sections together and remove the paper.