K.I.S.S. Quilting

We have all heard about the K.I.S.S. principle. It’s what I decided to do with a kit I had purchased called Easy Summer Fun by Viv Smith of Willow Brook Quilts.

Easy Summer Fun was already a simple beginner quilt. The kit contained 10″ pre-cuts of Kaffe Fassett fabrics plus black on white and white on black squares. I have become quite infatuated with Kaffe Fassett fabrics but as you know, my focus this year is suppose to be on gradated fabrics.

My first decision was to reserve the black and white fabrics for another project and substitute it with pieces of beautiful Gelato Ombre fabrics that I purchased in Singapore (but now is available locally). As it turns out, they marry well together. 

My next decision was to leave the squares uncut. Kaffe Fassett and most Ombre fabrics are bold enough to stand on their own in large dosses.

It went to my favorite long-armer for an overall design. We picked a modern floral design and orange thread. Why not!?!

The BEST thing about this pattern is the wide binding. It is not often that binding makes a quilt, but this time it did and I absolutely love it!

This is my Summer Fun, and I could not have kept it any simpler. 

Speaking of summer, its that time again when I will take a break from this blog and work on getting things crossed off the ‘to do’ list. I hope you have a great summer!

A Lession in FMQ

“Be kind to yourself” she said. Good advice.

She, being one of the best teachers around, and the best Free Motion Quilter (FMQ) I know. FMQ has been the most difficult things for me to conquer in my sewing life. I have taken every opportunity to practice it for the last 5 years and have thrown out or turned perfectly good quilted pieces into dog beds because of my displeasure with the results. It was my third time in her class.

I wanted to show you a picture of my mediocre masterpiece before I picked it apart, but I was not able to take one that captured the whole runner where the stitching was still visible. This was the best I could do. 

The first design element we stitched was this motif, drawn on freezer paper. I did some echo stitching around it and matchsticks at the top. 

Echo stitching, as it turns out, is harder than it looks. It requires that you look at the FM foot and use all sides of it to gauge your 1/4″ distance. There were blind spots going certain directions. Next time I would add a few reference points at the tips to ensure I turned at the right spots. Also, I am not sure about the matchsticks I added at the top. Does it highlight the tip because the stitching is denser, or does the  tip look like it is in the background because it is flatter than its surrounding?

Using freezer paper seemed like a good idea, so I looked for other designs where I could use it. There was a peacock on the fabric back that had potential. 

It was so unusual I knew it would be the focal point so I placed it in an appropriate spot. It didn’t look like much initially and I hated picking out the freezer paper but with enough stitching, my peacock turned out okay. Using a plate helped me get a stitching line to ‘frame’ him.

The fabric back was a great inspiration for other designs but now I wasn’t as keen on using freezer paper. I stitched around the waterlily using freezer paper but then it was a simple enough design that I could eyeball the rest. A feather was next. I have never particularly liked feathers, but recently stitched one on a project and it was terrible. Now was the time to practice.

The stylized daisy was also simple enough to do without the freezer paper, but one seemed small and insignificant, so it was repeated three times. I also decided to try another feather, fitting into the large awkward space left.

After the large elements, it was on to fillers and borders. All can use more practice but consistency of size and stitch length will come in time (I hope).

Do you want to make a FMQ sampler? Here are a few guidelines:

1. Start with a sandwich 15″ x WOF. A dark solid (or near solid) fabric with light thread will work best
2. Divide your runner into 6-8 sections. Use your favorite marking tool to ensure nice straight lines and then stitch a double line 1/8″ apart.
3. Add something of interest in most sections. Start with larger designs so that you can practice filler stitches around them.
4. If a design you like is proving troublesome, try different variations. For me, it was circles.  In the wavy section, my first circle (top) was closed but I didn’t like all the stops and starts so started incorporating the circles into the wavy lines (middle section). It worked for awhile but then lI started backtracking away from the stitching line (side ones). This gave the illusion of a larger circle and I liked that better but still wanted to try circles where the stitching came to the center, making for continuous stitching. I tried that next as a border (seen in the picture between the waterlily and first feather). This one was the easiest.
5. Practice principles of design –
   • REPEAT – double lines look better than single lines; use odd numbers (one if large or a focal point, 3 if you want it to make more of a statement)
   • RESIZE – use small, medium and large variations of the same design (example: I have circles the size of dots, medium sized circles, and larger ones)
   • REINVENT – make variations of the same design element (example: feathers)
   • BALANCE – this is obtained from the size of your designs and density of your stitching.
   • CONTRAST – You are only working with straight and curved lines. Each will be more distinct when placed next to each other
6. Don’t undo mistakes. Make this for you (not as a gift and not to enter into a show). Take risks and practice everything you like. In the future it will be a great reference tool. It will give you ideas. It will remind you of things that work, or not. It will help you decide on a better approach. And you will see where you have come from, the improvements in your techniques over time.
7. Most of all, have FUN. And be kind to yourself!

Alberta Two Step

I get by with a little help from my friends”

Make that… “I get by with a lot of help from my friends.”

A cowboy/girl boot quilt would not be my normal style, but at times like this you have to think about the bride (my niece). She has been called ‘the horse whisperer’; country is her style.

When her wedding was announced, I knew the Texas Two Step would be the perfect pattern but I was short on time and fabric that could even remotely be considered country.

Thanks to Gail (piecing), to Susan (quilting), and others who contributed scraps of country fabric, this character quilt came together. 

I got it back with a week to spare and it was lovely. But I simply could not resist getting into the spirit and adding some bling. I tried to deep it to a minimum – some tabs, some swirls, a few buttons, gemstones. Each boot got something different, except for the bride and groom’s initials which meant I had to add two S’s. Applique would not normally be added after the quilt was already quilted, but it worked fine.

The finishing touch was a play on the words to the song “These boots were made for walking…” Lucy had some suggestions, which I modified and inscribed with FMQ on a flange on the back.

• These boots were made for walking into your heart
• These boots were made for walking down the aisle
• These boots were made for walking beside my love
• These boots were made for walking through life’s footsteps

It is not often that a person can throw caution to the wind but this quilt was a lot of fun to make, and the wedding was great. Here are a few pictures, all including boots.

Bride with her two sisters…

Mother and daughters… 

The shoe game… 

The Texas two-step becomes the Alberta two-step.

Mount Kilauea & lonely trees

Works in progress (WIP). It’s all about the journey, right? And memories created in the process.

This week’s post is about two WIPs – totally unrelated, and yet they feel connected.

One goes back 2 years. At the time I wanted to try some curved piecing but it seemed incomplete after it was put together.

I decided this quilt might work better as a background than a simple wall quilt.. Whatever I put on it would have to be simple but visually strong, and I used this lake scene as my inspiration.

 

The blocks were arranged in similar sections with a sunset sky (upper section), water (center), rock and greenery (lower bottom and right). We carry everything in to our cottage on a short but fairly rugged path and walk around this tree on every trip. It has fascinated me for the last 20 years. Other trees grow up between the rocks until a strong wind comes in and blows them over. But this one still stands. Crows and Eagles love it.

On the background, I decided to quilt the sections to simulate what they were intended to by with some Ruler-Guided FMQ. You can’t really see it from the front but the sections are more evident from the back. 

This project has been a WIP for nearly two years and the spot where it will hang on the wall is still bare. All that it needed was the embellishments – A felted tree, felted rock and plants. This week I got out the wool supplies …  

and ended up with this…   

Now to figure out how to get it looking a little like the picture.

Another project I worked on for the last two weekends at the lake was Dance of the Dragonflies by JoAnn Hoffman.

I have not carried my sewing machine out to the cottage yet for the season, so I have to be strategic in the projects I pick to work on. With no piecing involved, this one was perfect. The Supernova fabric panel for Dance of the Drangonflies was purchased in Volcano Village at Mount Kilauea and the pattern was purchased in Hilo during our Shop Hop. 

What I love about quilting is that memories are accumulated for every piece. Start to finish may be years, as in the first piece, or it may be simply months as in the second piece. Memories may take you back to where the fabric was purchased. Maybe some special people were involved. Or struggles with the design process.

Every day there are news clips of the Mount Kilauea eruptions. I have walked around that volcano, have walked up to the lava flows, and have seen the destruction in its path. Some trees survive in the most unlikely places, and others don’t.

As I work, and in the future every time I look at this dragonfly wall hanging, I will think about the quaint little quilt shop in Volcano Village, and the quilt store in Hilo. I will wonder how they have been affected by these events and offer a prayer on their behalf.

Alice

Productive with a capital P. Organized with a capital O. And happy whenever I see her. Let me introduce you to my special friend Alice. At 91, I can only hope to have a fraction of her spirit when I get there.

For our recent Quilt Show, Alice made this Challenge Quilt. 

It is a Victorian Crazy Quilt Christmas wall hanging that she designed after being inspired by a 2 1/2″ photo of ‘The Night Before Christmas” by Patricia Eaton of McCrea, Arkansas that appeared in Quilter’s Newsletter Magazine.

When I phoned to tell Alice that my bid was the highest and I had received her wall hanging, she asked if she could add a beaded fringe to the quilt, similar to what was in the original picture. Two weeks later she was done. Let me add the point that these beads were not purchased prestrung. They were individual beads that she strung herself! 

Take a look at some of the closeups. The variety of embroidery stitches, the beads added to the doilies, the thread details on the buttons…

She has been an active member of our Quilt Guild for almost 30 years. Even though she no longer leaves her house or is able to attend guild meetings, she eagerly awaits the newsletter so that she knows what it going on at the guild, and continues to contribute to most guild activities.

For example, the Challenge Quilt was not the only item Alice had in the Quilt Show. She also made several wall hangings which she donated to the Choice Auction baskets, and she had items for sale in the Boutique.

I was impressed from the first time I met Alice. She says that she never gets bored. Let me tell you why.

She makes 100 Touch Quilt tops every year. Touch Quilts are lap size quilts given to Alzheimer patients living in personal care homes. They are made with 6″ squares of textured fabrics, enhanced with items the patient can play with. Touching the different fabrics or playing with the items attached to the quilt can bring comfort, happiness, and sometimes reminds the patient of events earlier in their lives. The goal of the Alzheimers Association of Manitoba is to provide each of its 22,000 (and growing) patients with such a quilt.

One of the rooms in Alice’s house is set up ‘assembly line’ style. Trays of fabric squares are divided by fabric type and colour – cotton, denim, corduroy, velvet, polyester, satin etc.

Then the different types of squares are organized and sorted into the trays as they are made. Squares with pockets, keys, and beads …

Squares with thread spools, bears made of fleece, peek-a-boo pockets, zippers or other decorative items of interest…

50 quilt tops were just handed over in April. Here is the first one of the next batch: 

Alice has two sewing machines. One is a Singer she purchased in 1952, but most of her sewing is done on an Elna Supermatic Sewing Machine which Alice purchased straight from the factory in Geneva Switzerland in 1956.

Elna was a technological leader in the sewing machine world with new inventions such as the free arm, reverse stitch and decorative stitches created through the use of cams.

Families affected by Alzheimers know better than I the impact a touch quilt has had on their loved one. We will never know all the stories but we can be sure that Alice has touched the lives of many.

I have only known Alice for a short time and I am proud to own one of her pieces.

 

Summer Snowballs

Last week it was still winter. The ice was melting. Crystals of ice sang to each other and to us, as they gently swayed in the breeze and nudged each other along the shoreline. Occasionally there was a bang as larger pieces of ice broke away from the rest or was pushed up onto the shore.

This week it is summer. Temperatures were 31C yesterday and my first flowers of the years were confused. What happened to spring?

Snowdrops

It’s a good thing I took time to finish my summer table runner this past week. Ironically, it is a snowball pattern*. 

This table runner has been hanging around for awhile. It was a good teaching tool that I used in a demo of ruler quilting at our Quilt Show, and was going to use for a class in Designing with Rulers. When the class was postponed, I decided we needed to use the table runner and it was time to get it done.

I contemplated three different designs

Straight Ruler

2 1/2″ Circle Ruler

13″ Arc Ruler

and chose one that required no markings. My 13″ straight ruler, and S ruler did the trick. 

Here is a close-up, and a better look at the back

Those that quilt with me every week have seen this project evolve since Christmas. Reversible chair covers have a Christmas look* and a summer look that I should have planned better. With no plans to use the snowball corners, I cut them off with scissors rather than a rotary cutter. Then when I decided the covers needed to coordinate with the table runner, sewing the tiny pieces together was a bit of a challenge, but the result was worth it.

Summer

Winter

The straight line quilting on the chair covers was done using my favorite quilting ruler. This time I only made one reference line down the center and used it to go up and down on either side. What a time saver these rulers are. No threads to bury and minimal marking.

This was a total Beginner project. Easy, fast, and WAY better than if I would have tried to FMQ the lines any other way. If your rulers are still in their packages, I encourage you to get them out and play with them.

Not sure why I chose a snowball pattern to look at all summer. Maybe it will remind me to appreciate every day where the temperatures are above freezing.

*Summer fabrics and free Snowball pattern by Moda; Christmas fabrics by Northcott

Ken’s Kitchen

This week I am visiting beautiful British Columbia.

Of course I will be stitching circles. I might even find a quilt store (fingers crossed).

But in lieu of anything new in my quilting world, I will post some recipes from Ken’s Kitchen.

Morning Glory Muffins – These muffins are my favorite meal supplement. With ingredients of vegetables, fruit and grains, they are packed full of goodness. Wrap each one individually and keep them in the freezer so that they are easy to grab the next time you need to make a quilt-day lunch.

Creamless Creamy Tomato Soup – I love soups, but avoid them if they are cream based. This one has tons of flavour. Of course you could add cream or milk if you wished.

French onion soup  – Making French Onion Soup is always a lot of work, but DH says it is worth it. We had this as part of our Easter dinner and it was a hit with everyone.

Coconut Ginger Rice – If you want rice with a little flavour, this is the best! I am not the only one asking for this item on the menu.

Key Lime Cake – Definitely a keeper! This is delicious if you like coconut and limes – which I do.

Chocolate Hazelnut Crostata – Sometimes you need something a little extra special. This fits the bill. The children and grandchildren loved this desert (especially when paired with a scoop of ice cream!)

Have a great week!

Back to Stitching Circles

Today I cut out the pieces for the last circle. Hip, hip hurrah! The most challenging – should I admit that maybe even the most fun?- part of this project is done.

Block #16 was as hard as they get. I cut out the same piece once, and then twice. Some were cut out three or four times. 

Why couldn’t I get it right? It looked easy enough! But fabrics that look good together as large pieces no longer looked good together once they were cut. Not enough contrast. Or too much. Sometimes the scale was wrong. Other times it was the colour.  Finally, I went to the pile of previous rejects. It was just what I needed. Small scraps gave me a better idea of what the cut pieces would look like.

Let’s back up a bit.

Before Hawaii I had 11 circles stitched. But I needed more time, and space, and concentration, and more fabric. So I stopped making the circles and started attaching the corners. It was the perfect ‘take along’ project.

Forty hours in transit both directions gave me lots of stitching time. I continued attaching corners to the circles until I ran out of cut pieces.

 

Then it was Quilt Show time. And curling. No point getting all the fabric out again, so I started ‘framing’ the blocks. Right from the beginning I cut a frame piece every time I made a new template so that I wouldn’t have to cut 128 of them at the end. I had quite a few. Enough, as it turns out, to frame 5 blocks. Here are a few:

 

Now, out of circle pieces, out of corners pieces, and out of frames pieces, it was time to get the fabric out to do some more cutting.

 

I have more airplanes and airports coming up this week … and The Winnipeg Jets made it to the next round of playoffs. Looks like lots of circle stitching time in my immediate future.

 

 

Seminole Patchwork with Eva Veltkamp

My series of posts from Quilting on the Beach was interrupted by our local Quilt Show, but I have one more class to share with you. It was Seminole Patchwork taught by Eva Veltkamp.

Do you think Seminole Patchwork will make a comeback? Solids are modern; miniatures are modern. The only thing that might hold it back is the amount of work involved. This is not in the “Make a Quilt in a Day” category.

Here was our goal: one rainbow band for a pillowcase. 

As part of the class kit, we were given a treasure. It is a book by Cheryl Greider Bradkin that dates back to 1980 and contains 61 different designs. We tried one of the easier pattern first. 

Then it was on to piecing seven strips… 

cutting them… 

Sewing them back together again… 

Cutting them again…

Before joining the sections together… 

Here are a couple more samples Eva had to show the class. I think Seminole Patchwork has potential. Maybe not on a tie. Or a belt. Nor an apron. Or sleeves and hems. But somewhere, I will find a reason to use some of the patterns found in the book.

This brings an end to my Quilting on the Beach series. I have many projects to finish – and to start. My goal is to have them done by the end of the year at which time I should have enough for a trunk show!

My Quilting Family

Quilt Reflections 2018 is history. What a wonderful show!

In this post I want to highlight the work of people I quilt with every week. These are the people who have welcomed me into their circle and taught me so much about quilting. I feel honoured to have them as friends.

Joan is VERY productive and the Queen of applique. I remember when she had this circular pattern spread out on the table and was preparing her applique templates. She used a hole punch to make the perfect little circles you see in the trees – and they still looked perfect even once they were appliqued on! The center is her own design based on a picture her husband took at Clear Lake, Manitoba where they enjoy some time every summer. I could do a whole post on her work alone. ‘Summer at the Lake’ received the Viewer’s Choice Award.

 

Lucy has taken English Paper Piecing to a whole new level. Sometimes she brings her laptop and printer/cutter to Quilt Days in order to make her next set of templates. This is ‘Millie’. All of the pieces were hand stitched together, and you can see that it is not a simple hexagon pattern.

 

When Karen showed us ‘Norman’ the elephant, I just had to order the pattern but I have not had the courage to start it yet. There are over 200 pieces in the trunk alone! She felt like a protective mother who didn’t want to let Norman go to the show, but we convinced her to do so. It’s the first time she has ever entered in a judged show.

 

Jan does some very interesting work and ‘signs’ her quilt with a clown label. The clowns are always different and are appliqued on. The balloons usually have names and/or dates embroidered on them.

 

Toby likes to make children quilts but this is not your typical ABC quilt. It had many people at the show guessing what the individual letters stood for. The close-up I chose to show you was Talk & Listen. Who doesn’t remember playing the tin can game!

 

It seems like Susan is working on a new project every time I see her. She usually makes quilts with specific people in mind and often finds patterns and inspiration on-line – like this paper-pieced Harry Porter quilt that was made for her niece.

 

Shannon always says that her quilts have to have a home. This quilt went to the home of her 80 year old Aunt Jo as a pattern+fabrics. With Shannon’s help, Aunt Jo learned a little bit about quilting, and the embroidery stitching kept her entertained for 18 months.

 

Simone is very creative and is another one who gives most of her quilts away. She created and intends to gift this quilt to the facilitator of her Blanket Exercise workshop (an interactive teaching tool designed to improve the relationship between Indigenous and non-Indigenous peoples in Canada). The neutral fabric is called People of Turtle Island and was designed by a Winnipeg Indigenous woman. Simone then quilted it with a Metis infinity symbol. 

Cowboy boot quilts were very popular this winter, and this is a quilt made by Gail. Bright and colourful, who wouldn’t want these 30 pair of boots in their closet? 

Only a couple of weeks before the Quilt Show, we saw this quilt still in pieces. Somehow Val managed to get it done in time. Made of denim and flannel, this will be a quilt enjoyed for years to come. 

If you have stuck with this post so far, I will tell you that I did win a few ribbons as well. It’s A Party placed 1st for quilts that were commercially quilted by a computer guided machine; My Canada placed 2nd in the category for large quilts quilted on a domestic machine; and Set Sail won 3rd in the Potpourri category. My proudest moment came when I entered the Quilt Show and saw both of my Canada quilts at the entrance.